Gallery
Moody skies.
This gallery follows a condition rather than a place. Weather that turns the sky into the subject: storm light, the hour before rain, mist sitting in a valley. Some of these were made near home, some far from it. What they share is the mood, not the map reference.
Most of my work stays close to home and returns to the same woods through the year. This gallery is the exception, and it is an honest one. The subject here is not a place but a state of the sky, and that state does not respect a postcode. So when the light has turned and the cloud is doing something worth standing in, I have photographed it wherever I was, local field or far hill.
The discipline is the same as everywhere else in my work. Go out in the weather most people wait out. Stay when the rain looks likely. The conditions that make a flat sky into a brooding one are the same conditions that send most photographers home, which is exactly why it's worth being out in.
What holds the gallery together is not geography but feeling. A heavy sky over a Hertfordshire field and a storm breaking over a Scottish glen are doing the same thing to the viewer. The mood is the through-line. the locations are just where the mood found me.
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Why is this gallery not all from my local area?
Most of my work is faithful to place, the same local woods returned to through the seasons. This gallery is faithful to a condition instead. I am after a quality of weather and light, and that can turn up anywhere. I rarely travel for my personal work, though I do travel for client work, having photographed across the whole of the British Isles. So the images here were mostly made around life: a family holiday that happened to catch some bad weather, a visit to wider family, a commission with a front coming in. The discipline is the same. Only the subject has changed.
Where were these photographs taken?
In a mix of places. Some are from my local area in Hertfordshire and the surrounding counties, others from further afield, Scotland, the Lake District, the Peak District, North Devon, and a few from abroad. The local frames open the gallery. What ties the set together is the condition, not the location.
Can I buy a print?
Yes. Most images here are available as limited edition fine art prints, produced on the highest quality archival papers in sizes suited to both homes and larger interiors. Prints are arranged directly with me, so get in touch and tell me which image and roughly what size you have in mind.
Do you run workshops in these woods?
I do. I teach one-to-one woodland photography workshops and online editing sessions across Hertfordshire and the surrounding ancient woodlands, shaped around your level and pace.
Can I commission woodland artwork for a space?
Yes. I make large-format woodland artwork to commission for hospitality, wellness and healthcare interiors, including whole-wall installations. Past commissions include work for Center Parcs. Find out more →
How often do you add new galleries?
The galleries grow as the work does. New images are added through the year as I edit recent sessions, so it is worth returning, or joining my newsletter to hear when something new goes up.
Take it further
The sky is the subject here. Everything beneath it is just the ground that happened to be there when the weather arrived.
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