About Tim Smalley

From Burnout to Stillness: Why I Photograph The Forest – and Help Others Do the Same

When I was in my late twenties, I found myself walking through a local woodland with my camera in hand – not because I had a shot in mind, but because I didn’t know what else to do.

I was grieving, burned out and tired in a way that sleep couldn’t fix. Everything felt hollow. Directionless. The sort of tired that sits beneath the surface. I wasn’t out looking for a photograph. I think, in hindsight, I was looking for purpose – or at least some quiet place where the noise would stop for a bit.

That was the first time I went searching for something deeper. I didn’t know it yet, but this would become a turning point.

Discovery in the Face of Adversity

A couple of years earlier, I lost my first wife to cancer. Not long after that, I sold the business I’d started at university. On the surface, I looked successful — financially stable, outwardly together. But inside, it felt like everything I’d worked for had been taken from me.

I tried to carry on. Moved to a new place, changed careers, remarried. I told myself I was coping. But underneath, I was still carrying it all — the grief, the burnout, the sense that nothing really meant anything anymore.

Eventually, it caught up with me. First anxiety. Then depression. And then a full breakdown. I couldn’t function. I felt cut off — from myself, from any kind of purpose. One day, I ended up in a very dark place. The darkest place. But with help from my wife and the police, I made it home.

I started therapy soon after. Just before my first session, I stood in front of the mirror and said, out loud, that I needed help. And that I would never go back to that place again.

After each session, I’d take the afternoon off and walk in the woods to reflect. Those walks became part of the healing process. A quiet space to feel what I couldn’t put into words. To cry sometimes. To smile, too. I always ended up in the same spot — under my favourite tree. A huge, wise old oak.

After a while, I started taking my camera with me. Not to make art, but because it helped me notice things. One rainy afternoon, I remember sitting under that oak, soaked to the bone, watching the light shift through the mist. The trees in the distance were disappearing in the downpour, while the leaves nearby almost glowed. And something in me softened.

It wasn’t a turning point in the dramatic sense. But it was the beginning of coming back to life. Quietly. Gently. Through presence. Through creativity.

Sunlight filters through tall, green-leaved trees in a tranquil woodland. The woodland floor is carpeted with blooming purple-blue wildflowers, casting shadows and creating a peaceful, vibrant scene as soft light streams between the tree trunks.
A tranquil woodland scene with tall, majestic trees boasting thick trunks and vibrant green foliage. Sunlight filters through the leaves, creating a dappled light effect on the forest floor, which is covered in fallen leaves. The atmosphere is calm and peaceful.
A misty forest scene with tall trees, their trunks and branches partially illuminated by soft sunlight streaming through. The ground is covered in lush green undergrowth, and the atmosphere is serene and ethereal with a hazy, golden light filtering through the leaves.
A large English oak tree covered in frost stands in a misty, frost-covered field, evoking the tranquillity of woodlands. Its bare branches stretch wide against a foggy woodland. The ground and surrounding area are coated with hoar frost, and a wooden fence runs along the base of the tree, gently curving with the landscape.

From Healing to Living – to the Biggest Test Yet

Over time, those quiet walks and slow moments behind the camera became something more than a way to process pain. They turned into a way of living.

I wasn’t trying to reinvent myself — I just kept showing up. Sitting with the trees. Watching the light. Making images that felt honest, even if no one else ever saw them.

What started as a way to feel again gradually became a path. Not just for healing, but for living more fully and honestly. I felt more connected. More grounded. More aware of what actually mattered to me.

And slowly, without forcing it, I began sharing that with others — first through conversations, then workshops, and eventually, through coaching.

And then, years later, life threw something else at me. I was hospitalised with sepsis. I was put into a coma for a month. Multiple organ failure. Nine weeks in hospital. For a while, it wasn’t clear I’d come home at all. The doctors were preparing my family for the worst.

But here’s the thing: though my body was broken, I didn’t fall apart. I was scared, but not panicked. Just still. Present. Grateful. Deeply grateful.

All the work I’d done, all those years of learning to slow down, to notice, to be present — to be as close to my true self as I could — it held me together.

Coming back from something like that isn’t quick. But I came back with clarity. With purpose. And with an even deeper belief that the path I was on really matters — and that I want to help others find their own version of it.

An Invitation to Begin

Today, I help others reconnect with themselves — through photography, through creativity, through time in nature. Not as an escape, but as a way back.

Whether you’re feeling lost, overwhelmed, stuck in your head or simply tired of rushing through life, you’re not alone.

I don’t have all the answers. But I know how to listen, how to slow down, and how to walk alongside people as they rediscover what really matters to them.

If something in this story resonates, there are a few ways I can help.

Whether you’re looking to grow your photography, reconnect with nature or simply feel a bit more grounded, you’re not alone.

Explore My Woodland Photography Workshops >

Visit My Mindset Coaching Website >

A photograph of woodland photographer Tim Smalley out in the woods on a rainy day.

What My Clients Say

I ordered a 20×16″ print of Winter’s Hush from Tim, and it has truly become a statement piece in my home. The colours are soft and delicate, and the fine art paper…
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Margaret F.
I ordered a 20×16″ print of Winter’s Hush from Tim, and it has truly become a statement piece in my home. The colours are soft and delicate, and the fine art paper adds such a beautiful texture to the image. It feels like I’m standing right in the snowy forest.
Margaret F.
“Every year, I make sure to grab Tim’s new calendar —it’s become a bit of a tradition! The quality is always fantastic, and I love the thought that goes into selecting each photo…
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Emily D.
“Every year, I make sure to grab Tim’s new calendar—it’s become a bit of a tradition! The quality is always fantastic, and I love the thought that goes into selecting each photo to match the season. Over the years, I’ve also bought several prints, and they’re always a joy to receive. The papers that Tim uses gives prints a texture that makes them feel more like paintings, and the colours are so soft and soothing. My home is filled with these beautiful images, and I look forward to adding more to my collection in future!”
Emily D.
“I recently purchased one of Tim’s special edition prints, and it’s unlike anything I’ve ever owned. The size is enormous, and the bespoke nature of the print allowed me to choose exactly…
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John M.
“I recently purchased one of Tim’s special edition prints, and it’s unlike anything I’ve ever owned. The size is enormous, and the bespoke nature of the print allowed me to choose exactly the right dimensions for my space. It feels incredibly exclusive knowing that only a handful of people in the world will ever own this piece. The unique mounting is something I’ve never seen before—it adds a whole new level of sophistication and really makes the artwork stand out. This is no ordinary print; it’s a true masterpiece!”
John M.
“I was blown away by the level of detail in Tim’s prints, which I first saw at a local craft market. The print that I bought looks even better at home, and…
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Alex T.
“I was blown away by the level of detail in Tim’s prints, which I first saw at a local craft market. The print that I bought looks even better at home, and the colours are so vivid. It’s easily the centerpiece of my room now. Would highly recomend.”
Alex T.
“I absolutely love this calendar! Every month is like a new adventure in nature, with a fresh woodland scene that fits the season perfectly. The fact that these images were all taken in…
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Susan Y.
“I absolutely love this calendar! Every month is like a new adventure in nature, with a fresh woodland scene that fits the season perfectly. The fact that these images were all taken in the same month they’re featured adds such an authentic feel. Plus, the printing is superb—the paper is nice and thick, with a matte finish that makes the images look almost painterly.”
Susan Y.
“I’ve been searching for a calendar like this for ages. The pictures are serene and perfectly capture the feel of each season. Knowing that each was taken in the month it’s displayed just…
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Sarah R.
“I’ve been searching for a calendar like this for ages. The pictures are serene and perfectly capture the feel of each season. Knowing that each was taken in the month it’s displayed just adds to the magic. And the print quality? It’s impeccable. The paper is sturdy and the images are crystal clear. I’m absolutely thrilled with this.”
Sarah R.
“I was searching for a statement piece for my home, and I’m so glad I went for one of Tim’s special edition prints. The scale is breathtaking —larger than anything else I’ve ever…
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Jessica P.
“I was searching for a statement piece for my home, and I’m so glad I went for one of Tim’s special edition prints. The scale is breathtaking—larger than anything else I’ve ever bought—and the fact that only a few of these exist makes it feel truly special. The bespoke sizing meant it was tailored perfectly to my space, and the way it’s mounted is so different from anything I’ve seen. It looks like it’s floating on my wall. I couldn’t be happier!”
Jessica P.
“I bought one of the limited edition prints as a gift for my partner, and he was blown away. The quality is amazing, and it’s such a unique piece of art….
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Henry J.
“I bought one of the limited edition prints as a gift for my partner, and he was blown away. The quality is amazing, and it’s such a unique piece of art. He’s already talking about getting another one!”
Henry J.
“I knew I wanted something extraordinary for my new home, and Tim’s special edition print exceeded all my expectations. The large, bespoke sizing made it the perfect fit for my space,…
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Steve H.
“I knew I wanted something extraordinary for my new home, and Tim’s special edition print exceeded all my expectations. The large, bespoke sizing made it the perfect fit for my space, and the ultra-limited run makes it feel like a truly rare find. The mounting method is nothing short of luxurious—it adds a depth and dimension to the artwork that really sets it apart from other prints I own. This is the kind of piece that transforms a room.”
Steve H.
I was honestly blown away by how much I learned in just 90 minutes with Tim. I’ve been editing my photos for a while, but something was always missing. Tim showed me…
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Thomas E.
I was honestly blown away by how much I learned in just 90 minutes with Tim. I’ve been editing my photos for a while, but something was always missing. Tim showed me techniques to enhance the natural colors in my woodland shots without making them look artificial, which has always been a struggle for me. He was incredibly patient, explaining each step in a way that made it easy to understand, and even encouraged me to try the techniques myself so I’d feel confident applying them later. I can honestly say my photos look completely transformed since our session. The little tricks he shared around creating depth and guiding the viewer’s eye have been invaluable. I would absolutely recommend this to anyone who wants to take their editing skills up a notch. Worth every penny!
Thomas E.
I have several pictures from Tim’s woodland collection, which I have hanging in my home. I live on Cannock Chase and so wanted landscapes from the area. Tim did an amazing job. He brought the …
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Diane A.
I have several pictures from Tim’s woodland collection, which I have hanging in my home. I live on Cannock Chase and so wanted landscapes from the area. Tim did an amazing job. He brought the forest into my home and I love his work. One particular landscape shot not only captured my imagination but also the imagination of my granddaughter. All his work creates a talking point with visitors.
Diane A.
“I’ve lost count of how many calendars and prints I’ve purchased from Tim over the years! The calendars are more than just functional —they’re pieces of art that I love having in my home….
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Rachel W.
“I’ve lost count of how many calendars and prints I’ve purchased from Tim over the years! The calendars are more than just functional—they’re pieces of art that I love having in my home. The variety of images is incredible, and I appreciate that each photo is carefully matched to the time of year. As for Tim’s prints, I have four now, and the quality is simply unmatched. The fine art paper gives each image a richness and texture that you just don’t get with regular prints. I’m a customer for life!”
Rachel W.
Booking a session with Tim was the best decision I’ve made for my photography. I’m fairly new to editing and was always intimidated by the technical side, but Tim made everything feel so…
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Sarah M.
Booking a session with Tim was the best decision I’ve made for my photography. I’m fairly new to editing and was always intimidated by the technical side, but Tim made everything feel so approachable. He helped me see things I would have never noticed before, like how to use local adjustments to create layers in my photos. My woodland shots have so much more atmosphere now, it’s like the viewer can actually feel the forest. And I love that he worked with my own images, so I could see the improvement right there in my own work. I was so impressed that I went ahead and booked the 3-session package. If you’re on the fence, I say go for it. You won’t regret it!
Sarah M.
“I bought one of Tim’s woodland prints as a gift, and the recipient was thrilled. The fine art paper adds such a lovely texture to the photo, making it look almost like…
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Emma H.
“I bought one of Tim’s woodland prints as a gift, and the recipient was thrilled. The fine art paper adds such a lovely texture to the photo, making it look almost like a painting. The colours are delicate yet rich, and the detail is amazing. I couldn’t have chosen a better gift!”
Emma H.
“I’ve been buying prints and calendars from Tim Smalley for several years now, and the quality just keeps getting better! Every calendar is a work of art, and I look forward to the…
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Sophie T.
“I’ve been buying prints and calendars from Tim Smalley for several years now, and the quality just keeps getting better! Every calendar is a work of art, and I look forward to the new one every year. The woodland scenes change so beautifully with the seasons, and I love that each image is taken in the month it represents—it makes the calendar feel special. As for the prints, I have three hanging in my home now, and they never fail to impress. The fine art paper makes them look like paintings, and the colours are so soft and natural. I’ll be back for more, without a doubt!”
Sophie T.