Gallery

Monochrome woodland.

These images are made in infrared, a part of the spectrum the eye cannot see. Foliage that reads as ordinary green turns luminous and pale, bark and branch stay dark, and the wood resolves into a structure of light and shadow that was always there but never quite visible. It is the same woodland, seen by a different light.

21 images · prints available

Infrared records light just beyond what the eye can register. Chlorophyll reflects it strongly, so leaves and bracken come back bright, almost white, while trunks and bare branches hold their darkness. The effect is not a filter laid over the picture afterwards. It is a different band of light, captured at the time, and it shows the wood in a register that is genuinely outside ordinary seeing.

I came to it because it does something I value. It strips the colour out of the decision and leaves the structure. Without green to carry the image, what remains is the architecture of the wood, the reach of a limb, the mass of a canopy, the way light moves between trunks. It is a discipline as much as a look. The picture has to hold on form alone.

Some of these are from my local woods. Others are from the temperate rainforest, the wet, western, moss-laden woodland that survives in pockets across Britain, including ancient sites like Puzzlewood in the Forest of Dean. That is the one kind of place I travel for, because there is nothing like it closer to home. In infrared the rainforest becomes something else again, the moss glowing, the structure beneath it laid bare.

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How are these black and white images made?

They are photographed in infrared, using a converted camera that records light just beyond the visible spectrum rather than the colours the eye sees. Foliage reflects infrared strongly, which is why leaves come back bright and bark stays dark. It also calls for the opposite conditions to the rest of my work. Most woodland photography avoids bright sun, but infrared is at its strongest in exactly that light, so these are made on the clear, hard-lit days most people leave the camera at home. The black and white conversion comes afterwards, but the distinctive look is captured in the light itself, not added later.

Where were these photographs taken?

In two kinds of place. Some are from my local woods in Hertfordshire and the surrounding counties. Others are from temperate rainforest further west, including Puzzlewood in the Forest of Dean, which is the one landscape I travel for. What ties the set together is the infrared light, not the location.

Can I buy a print?

Yes. Most images here are available as limited edition fine art prints, produced on the highest quality archival papers in sizes suited to both homes and larger interiors. Prints are arranged directly with me, so get in touch and tell me which image and roughly what size you have in mind.

Do you run workshops in these woods?

I do. I teach one-to-one woodland photography workshops and online editing sessions across Hertfordshire and the surrounding ancient woodlands, shaped around your level and pace.

Can I commission woodland artwork for a space?

Yes. I make large-format woodland artwork to commission for hospitality, wellness and healthcare interiors, including whole-wall installations. Past commissions include work for Center Parcs. Find out more →

How often do you add new galleries?

The galleries grow as the work does. New images are added through the year as I edit recent sessions, so it is worth returning, or joining my newsletter to hear when something new goes up.

Take it further

The wood was always built of light and shadow. Infrared is just the light that shows it.

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